Category: EXPO 2024 Courses

Incorporating spatial and temporal dimensions into architectural design has transformative potential. It offers new perspectives on how our built environment can enhance our existence. This thesis project explores the potential of the Los Angeles International Airport as a transit point in time and space during the 2028 Olympic Games. It proposes an Olympic Park which connects existing and new terminals – this park allows events from multiple timelines and personal trajectories to generate a dynamic experience for its users. The design not only provides a better experience during travel the airport, but allows its users to contemplate more advanced notions of time and space, history and geography.

In today’s world, the boundaries between reality and virtuality are blurring, with many people spending significant time in virtual spaces for work and leisure. This raises a critical question: how can we facilitate the transition from virtual to real environments, and vice versa? My project addresses this issue by drawing inspiration from Andrei Tarkovsky’s film “Mirror,” which explores the connection between real and virtual worlds through the metaphor of a mirror, a spatial-temporal heterotopia or space of otherness. To explore this condition, I have designed a media center for the 2028 Los Angeles Olympics. After the Games, it will become a community production space, media library, and exhibition hall. The aim of my design is to allow users to experience the interconnection between reality and virtuality by creating a dynamic space that will attract a broad audience (both real and virtual) and encourage interaction across both worlds.

The vanishing culture of Los Angeles due to rapid urbanization threatens its rich heritage and diversity, erasing traditions and impacting social cohesion. Showcasing LA’s cultural tapestry at the 2028 Olympics is crucial for fostering inclusivity and unity. The proposed avant-garde parametric structure reflects the city’s commitment to inclusivity, serving as a dynamic canvas embodying its diverse identity. It transcends aesthetics, symbolizing innovation and cultural exchange. As a narrative of unity amid diversity, it orchestrates a global symphony, highlighting the transformative power of architecture in fostering connections across cultures. In its adaptability, it becomes a testament to the city’s vibrant spirit on the world stage.

The thesis project proposes a new Olympic Park over the Santa Monica Blue Bus service yard, located at the terminus of Los Angeles 10 freeway and the METRO Gold Line. In this project, I aim to develop an architecture of the “middle landscape”, a zone common to the American landscape situated between transportation infrastructure, industrial zones and residential housing. By integrating nature back into the urban environment through a new green corridor and connecting broken routes for bike and pedestrian mobility through new dynamic pathways, the project provided opportunities for recreation and relaxation for urban residents and visitors.

During the 2028 Olympics, the site will serve as an important ending point for the marathon, providing a rejuvenating rest area for athletes and space for spectators to witness the medal ceremony. Post-Olympic, this park will provide a focal point for social gatherings, a diverse set of athletic activities, improving the mobility of the city’s citizens for years to come.

The Olympics often experience severe “white elephant” phenomena due to surplus venue equipment and inadequate post-Olympic planning, leading to underutilized infrastructure and wasted resources. In this thesis project, I aim to create a green, eco-friendly architectural space coexisting with sports facilities, offering diverse pop-up shops for global visitors during the 2028 Olympics on a brownfield site located in the Arts District of Los Angeles. My project addresses soil pollution, aiming to mitigate post-Olympic wastefulness. Through phytoremediation, my proposed structure will restore contaminated soil and construct vertical forests. Utilizing lightweight steel structure, the project is intentionally versatile, allowing for future reconfiguration and reusability. During the Olympics, Los Angeles will attract tourists to visit, and post-game, the site will continue to host popular sports like tennis, squash, and beach volleyball and community focused programming giving back to the Arts District community beyond the event.

A city’s economic, social, and cultural activities create contact zones where different groups collaborate, compete, and negotiate. The physical layout of cities can facilitate contact or deter it. Although Los Angeles is very diverse, it presents a unique phenomenon in which multiple communities are divided by invisible barriers creating disparities in resources, opportunities, and quality of life. One of the most extreme barriers in LA, occurs between Skid Row and the Arts District. In my thesis project, I reimagine this contact zone as an inhabitable Third Space where individuals are invited to negotiate their cultural and social identities. As a type of beast fable, it creates a landscape of the displaced – a pet sanctuary, to a non-profit research headquarters, to a museum. In this new third space, through making everyone displaced, a new social order can emerge.